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Devin & Brittany performing a Light Jig.
 he kingdoms and provinces of early Ireland set aside times and places for the general assembly of the people. Chief of these, the one to which each territorial assembly sent representatives, was the Aonach of Great Fair at Tara, seat of the Ard Rhi, or High King of Ireland. The modern feis, or festivals, traces its origins to these events. The modern feis began before the turn of the 20th Century as part of the revival of Irish culture. They became a celebration of Irish culture. As a result, they were discouraged by the English. The feises of today are primarily dancing competitions, but music, language, cooking and other competitions are often also held. |
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Schools vary in their requirements for their students' first feis. Some teachers require that their students be properly outfitted right from the beginning. Others allow first-timers, especially the young ones, to forego some of the costuming requirements until they "get their feet wet." While your teacher will advise you on your school's policies, the following list is meant to let you know what to expect.
The typical costume for girls consists of:
- Dresses bearing the school design. Glas Tara dresses for the adults are burgundy velvet, with green, gold and cream trim. The childrens dresses are cream colored gaberdrene (machine washable) with burgundy trim. Individually patterned or "solo" dresses usually mark advancement. Glas Tara dresses get sent off for embroidery.
- Shawl or cape bearing the school design. Glas Tara adult students wear a burgundy velvet shawl. The children wear a burgundy shawl as well.
- Dance briefs which are usually the color of the lining of the skirt.
- Brooches for pinning the cape or shawl. You know ours will be a green Tara Brooch.
- Headband in the school color or design. Glas Tara dancers do not wear a headband.
- White "poodle" socks.
- Standard soft shoes similar to a gymnastic shoe, called Ghilles, or hard Irish dance shoes. Beginners may have only soft shoe dances.
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The typical costume for boys consists of:
- Shirt and tie.
- Long pants or a kilt and knee socks. Glas Tara will soon be instituiting a kilt for the boys.
- Blazer or jacket.
- Some boys' costumes include a narrow scarf or shawl.
- With a shawl, brooches may be required.
- Standard soft shoes similar to a gymnastic shoe, called Ghilles, or hard Irish dance shoes. Beginners may have only soft shoe dances.
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 here do you get all these items?
At Glas Tara, new dancers often borrow outgrown costumes from other dancers or the teacher. When it is time to purchase your own, you might see who has outgrown costumes and shoes for sale. Several of the adult students are quite gifted with the needle and thread, and have banned together buying the fabric and raw materials when several students have needed dresses.
New shoes, "poodle" socks, and brooches may be available for purchase at any feis. In St. Augustine, Irish importers have stores with dance goods for sale in addition to gift and food items. If you don't want to wait until the feis, you might look for Irish import shops in your area. |
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Girls' Hair:
According to standard, girls' hair is worn in ringlets. The top section of hair is tied in a ponytail, and curled into ringlets to match the rest. If bangs are worn, they too are curled. There is a known association between ringlets and baldness - that is, trying to force their daughters' hair into ringlets has caused many a parent to pull out their own hair in frustration.
- Prepare your child's hair at least 24 hours before it needs to be ready. Some of us have made arrangements for our daughters to attend school in curlers the day before a feis, allowing extra curler time. Stubborn hair prepared on Thursday night has come out just right on Saturday morning.
- Wash your child's hair and dry it thoroughly. Avoid using conditioner. If there is time for hair to dry completely while in curlers, it can be effective to roll it while wet. Be advised, however, that the slightest dampness will cause the curls to droop almost immediately.
- Gather the top section of hair into a pony tail (sort of a top knot). Separate hair including pony tail and bangs into small sections. Saturate each section with spray gel, wrap bottom of section in end paper, and wind section vertically around a small sponge roller. You may want to cover the curlers with a hair net once the spray gel is dry.
- The morning of the feis, remove the rollers gently, winding each ringlet around your finger if necessary to retain the curl. Do not brush hair, except for the bangs. Spray hair all over with gel or hair spray. Cover hair with a net until dance time. Make sure the spray is dry first.
- Whatever you do, don't use velcro rollers!
Or try this:
- At least 24 hours before the hair needs to be ready, take your daughter, your bag of curlers, and your favorite spray gel to the beauty parlor of your choice; plop her into the chair, tell the stylist what to do, and go shopping.
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hat to Do at the Feis:
Events are likely to be scheduled out of numerical order, so you will need to keep an eye on the day's progress to make sure your dancer is at the right stage at the right time. Events are grouped by age and skill level, and brand new dancers may dance their solo events one after the other on the same stage, but there is no guarantee this will be the case. This does not include special events, such as a "first feis special," which may take place later in the day on a different stage.
Dancers should be present and ready to dance one-half hour before scheduled start time. This means dressed, haired, and numbered. Here's what you do:
- Upon arrival, check in with your teacher. If your child is dancing in solo categories, your teacher, or the parent to whom your teacher has designated this chore, will give you a card with a large number printed on it. This is the dancer's number, which your child wears pinned to the front of the costume at the waist.
- Next, you need to find out when and where your child will dance. Events are numbered; your teacher will give you a list of events in which your child is entered. Check the back of the card with the dancer's number, often the list is there. Consult the schedule to find out
(a) what time and
(b) on which stage each event takes place.
Schedules are often printed in the feis program and/or displayed in various places about the feis.
- Children should check in for each event as soon as the dancers in the preceding event walk out on stage. Direct your child to the person checking in the dancers.
- Once your child has checked in, take off. Be brave. There's nothing more you can do, so pick a spot, watch, and enjoy.
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| If your child is dancing in figure categories (group dances with one or more partners), remove the solo number for the figure dances. New numbers are worn for the figure dances - one number per team per event, worn by only one dancer. For instance, if your son has a two-hand, he and his partner will remove their solo numbers, and your teacher will give one of them a new number to wear. If your son has a three-hand next, the two-hand number comes off, and a three-hand number will be given to one of the three to wear. To sum up: your dancer wears the same number for all solo events of the day, including specials, but a different number for each figure event which may actually be worn by someone else on the team. |
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| Dancers typically progress to the next skill level one category at a time, and sometimes have to zip back and forth from stage to stage. For instance, Beginner I (skill level) Under 9 (age as of Jan. 1) may be scheduled on Stage A, and Beginner II Under 9 may be scheduled on Stage B at the same time. If your 8-year-old daughter has progressed to Beginner II in her Light Jig, she may have to do her Reel on Stage A, pop over to Stage B to do her Light Jig, then pop back to Stage A for the rest of her dances. The more they progress, the greater the potential for such scattered schedules, and routing them through the day can get somewhat harrowing. On the other hand, they have an annoying habit of growing older while all this progress is taking place, and all too soon they become quite capable of taking over their own schedules. So take heart, it won't be long before you walk them in the door and they abandon you entirely except for money requests. |
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| Awards are distributed differently from feis to feis. In our area, the most common practice is to halt the dancing periodically for award presentations, during which the results are announced and dancers are called to the stage to receive their medals or trophies. A less frequent practice here (although common elsewhere) entails posting the results of the non-championship categories and providing an award distribution center. For on-stage presentations, dancers should be in full costume and wearing their numbers. When figure awards are given, all team members go on stage. The announcer may call only the event number, the rankings, and the competitor numbers. Dancers must listen for their numbers and rank (1st, 2nd, 3rd. etc.), and go immediately on the stage if they are called. |
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hat to Expect at the Feis:
Perhaps the most important information to give you pertains to the timing of your day at the feis. No amount of advanced planning can prevent a ubiquitous feature of feiseanna, namely, delays. We hope that by explaining a few of the reasons for what appears to be the slow pace of a feis, we can help you plan your time and avoid frustration.
First, the amount of time it will take to complete a group of events can only be estimated. Estimates are based on the number of entrants, but it is often the case that schedules must be determined before all the entries are submitted. Thus, you may have knocked yourself out to get your child there, ready to dance at nine o'clock in the morning, only to find that the preceding events have not yet begun. The complexity of feis planning and the large number of involved parties make these types of delays unavoidable. On the other hand, as dancers are required to be ready one half hour before their first event is scheduled, it has happened that events began before the scheduled time, although delays are much more common.
Second, as human beings, and not electric trains, are the subjects here, dance schedules cannot be executed as smoothly as train tables. Sometimes, circumstances will require that an event be restarted. Sometimes, an event needs to be reconfigured into two separate events to accommodate all the dancers. Sometimes, a musician or adjudicator simply HAS to leave the room for a minute (it takes an awful lot of coffee to stay focused throughout the day).
Third, it is outright impossible to schedule the events such that all dancers get to dance all their categories at once and be finished. Similar skill levels and age groups are grouped as closely as possible, but because dancers compete in different skill levels according to their progress, there is no way to schedule the events such that all ages and levels are covered at the same time.
Fourth, figure teams combine a few ages, so figure scheduling has to consider solo scheduling for multiple age groups. Moreover, as figure events need to be held together, a broader range of ages and skill levels must be accommodated.
Fifth, on-stage award ceremonies tend to slow the whole process. It is truly a delight to see your child walk across the stage to receive that medal and to hear the applause and shouts of support from your child's classmates. There is a price to pay for this public acclaim, however. These award presentations easily approach chaos, especially for the younger, less experienced groups. A mysterious daze seems to overcome the little ones at awards time, and many go downright catatonic. Come to think of it, even the more experienced dancers often exhibit the same symptoms. The announcer will identify the event, then calls out the number of the dancer in third place, second, then first. Large competitions may award as many as fifth place winners. Feis staff members await the winners on stage to present their medals. Dancers whose numbers are called take the stage immediately and tell the feis staff which place medal they get. The announcer quickly moves on to the next event. |
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 ere's what really happens:
Dancers miss their number when it is called. After considerable searching by the feis staff on stage, and prompting and shooing by parents and teachers, they drift up to the stage with a "What am I being sent up here for?" look on their faces. The feis staff ask the dancers which medal they won, and get confused shrugs in response. The announcer, who has moved on to the next event, has to stop, go back through the papers, and recall that event. Then the process repeats itself when the dancers, standing on stage and admiring their medals, miss hearing their numbers called in the results of the next event.
The whole routine is really comical in abstraction, however it does considerably slow the day. New parents, you might want to give a hand here. Listen for your child's number when the relevant results are announced, and if it is called, tell your child WHICH PLACE he or she won as you give that guiding shove toward the stage.
The bottom line of this topic is that there will often be large gaps of time when your child won't be dancing. This simply can't be helped. This being the case, we turn to our final topic: |
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hat to bring:
The girls get hot in those dresses between dances. Some girls wear body suits underneath and bring shorts so they can hop out of the costumes during gaps in the dancing. It is a good idea to have a large, button-up shirt available to cover the girls' dresses for meals on the fly. Food is generally available for purchase at the feis, however a few snacks and a water bottle can be awfully handy particularly when your dancer, who has refused to eat all day, suddenly cries "Starvation!" as she should be lining up for her next event. It is not a good idea to plan to run out for a meal during the day, as the schedule may change or your teacher may want to squeeze in some practice. Bring things for your dancers and their siblings to do between dances. Yes, they may never touch them, but at least you'll have an answer when they wail, "I'm bored." Books, cards, and one-piece games and crafts seem to be the favorites. Avoid noisy items, as noise is always a problem. Bring things for yourself to do, or perhaps more to the point, if you're dragging along a somewhat reluctant spouse, bring things for him or her to do. It has been our experience that the reluctant spouses do the most whining. This is a great opportunity to whip out that book, magazine, or crossword puzzle they won't let you throw out because they keep meaning to get to it when time permits. Lastly, bring a still camera, but DO NOT BRING a video camera. Videotaping of the dancing is STRICTLY PROHIBITED - NO EXCEPTIONS! Okay, you probably could videotape the awards, although that is often easier said than done, considering the crowds. However, if you even walk around with a video camera in you hand during the dancing, a number of feis staff will swoop down and remind you that YOU MAY NOT VIDEOTAPE THE DANCING! This is a rule from on high (Dublin, that is). It is strictly enforced, to protect the propriety of the choreography. |
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Online eFeis Information Stage Schedule 
